Techniques for directing non-actors: Singular Drama
Throughout the two-day practical workshop, participants will learn and experience the technique that Scandar uses during the preparations of his actors and non actors as well as during the shooting.
Participants will get hands-on insight into the process of creating drama in a film using the human capacity to respond emotionally to fictional situations. The Singular Drama method is applicable on professional actors as well as non-actors.
Filmmakers often use the element of surprise to direct actors for certain scenes to get authentic emotional responses.
The directors of AJAMI based their film entirely on this principle.
Unlike other forays into improvisation, AJAMI had a very precise screenplay and a well-constructed plot that demanded specific emotional responses from its actors.
The actors ended up acting out a story, without being aware that they were being directed according to a pre-written script. The film is a work of fiction which shows “real” people acting in situations that are orchestrated by the directors, but very “real” to the performers, resulting in the actors projecting emotions on camera that they actually experienced at the time.
This was achieved over specialized workshops, in which the actors were brought to each character’s emotional and psychological state as written in the script.
Workshop learning objectives:
1. Participants will learn techniques to liberate their non-actors from the fear of the camera.
2. Participants will learn how to prepare their actors/non-actors for filming.
3. Participants will learn and experiment with improvisation techniques.
4. Participants will experience the method as actors in order to get a better understanding of the involved processes.
5. Participants will get insights on pre-production, production and shooting techniques when applying the method.
6. Participants will learn how to direct actors and non-actors using the Singular Drama method. Participants are encouraged to bring scenes they would like to direct.
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